Showing posts with label Lisa Congdon. Show all posts
Showing posts with label Lisa Congdon. Show all posts

Friday

New Directions

I've had a lot of fun on Creativebug.com classes these last few months.

These days I'm doing a six-week creativity class called "Creative Bootcamp", taught by Lisa Congdon, one of my favourite artists and instructors.

This week - the 2nd in the series - the assignment consisted of making our own coloured paper, then using it in a collage.

Painting the paper took a whole day! I used some full-size sheets of multimedia paper cut into four. That inexpensive paper took the washes really well -- I must replenish my supply.

And instead of being boring, covering sheets and sheets with those pretty watercolours was strangely satisfying. I loved the resulting textures. (If you click on the pictures you can see what I mean.)

After making the set, I had to choose only six colours for my project.

This is the "paper rainbow" that I produced:


These are the paints that I used (clockwise beginning with the violet):

  • Amethyst Genuine (Daniel Smith)
  • Prussian Blue (Holbein)
  • Cobalt Teal Blue (Daniel Smith)*
  • Cobalt Teal Blue - more dilute (Daniel Smith)*
  • Prussian Blue with various additions to make dark green (Holbein etc.)*
  • Viridian (Winsor & Newton)
  • Sap Green (M. Graham) plus Aureolin (Winsor & Newton)*
  • Aureolin (Winsor & Newton)
  • Cadmium Yellow Deep  (Da Vinci)*
  • Cadmium Yellow Deep - less dilute (Da Vinci)*
  • Brown Madder (Winsor & Newton)
  • Cadmium Scarlet - one thin coat and one thick coat (Winsor & Newton)*
  • Rose Madder (Holbein)*
  • Rose Madder Genuine (Winsor & Newton)
  • Off to the side: Payne's Grey (Maimeri)

Colours with an asterisk are the ones I used for the assignment. 

Using only those papers, I made this collage:


As I wrote in my description in the course Gallery, next time I will spend more time planning the different layers, but for a first real collage painting, I am rather satisfied about how it came out. I believe I achieved a good composition and colour balance, which were the main items to look out for.

Now I look forward to the next lesson!









Saturday

I've Been Away, But Not Idle

I'm back at the drawing table, thanks to Creativebug.com. $7 or so gives me access to all the classes, and so far my favourite art instructors have been Lisa Congdon - whom I discovered thanks to her wonderful, whimsical folk art colouring books - also Pam Garrison and Yao Cheng, whose magical calligraphic brushstrokes I'm trying to imitate, so far with limited success!

Here are just a few of the many drawings I've uploaded to my Creativebug gallery (yes, you get your own gallery).









The monthly fee I quoted is in Canadian dollars; it's even less in US funds, and the first month is free. If you prefer, you can purchase individual classes and then you will have access to them forever. 

The other way to have permanent access is to take advantage of one free class for each month of membership. That way, you can accumulate quite a library, but at any rate, as long as you pay your monthly fee (by automatic deduction from your credit card), you have access to all the hundreds of classes in all the different categories (art, sewing, cooking, etc.)

The platform is very user friendly and oh yes, in case you're wondering, I'm not getting anything for this obviously biased review!